Inspiration Archives - Handi Quilter

Art or Math?

There is a whole bunch of math that goes into creating a quilt. Geometry too. Those are scary words to a lot of quilters. Some think MATH is a four-letter word. Others will go screaming from the room at the mention of the “M” word. So the question is: Is a quilt Art or Math?

Quilts are made for beauty. But it takes a lot of math to get to the artistry. Spaces are divided into smaller geometric patterns that interlock. Tessellations. Angles. Measurements. Formulas. Calculations. Ratios.

     

But, when all those little pieces come together, a quilt is much more than the sum of all those little pieces. All the fabrics that were painstakingly chosen, precisely measured and cut and sewn. That’s where ART takes over. That’s when emotion enters. Magically, art transforms those angles and measurements and geometry into something much more. Something that speaks to the heart and soul. And it matters not if it is perfect. Every quilt has that special quality, that harmony. Beauty.

The math is still there. Much of what the human eye / brain perceives as beautiful is based on some interesting math concepts. Just ask Mr Fibonacci.

So never fear the math, because it will take you to the art, if you let it.

Happy Quilting!

 

by Mary Beth Krapil, Handi Quilter

 

Apply binding on the longarm

I’m willing to bet 9 out of 10 of you bought your longarm machine because you were not happy wrestling that large quilt through your domestic machine to do the quilting. Am I right? We solved one problem. But, then what do we do? We finish the beautiful quilting on our longarm, then take the quilt off the frame and wrestle that large quilt through our domestic machine to apply the binding. Let me ask, does that make any sense? I am going to share a little tutorial on how to apply binding on the longarm. Sewing the binding to the front of the quilt, while the quilt is still on the frame. It is quick and easy! The only tool you will need is a straight longarm ruler. I also use my HQ Square foot which makes the whole process much easier.

Apply binding on the longarm

Along the way I am going to mention some different options you have for doing some of the steps. I suggest you try them all and see what works best for you.

Prepare your binding

Prepare your double fold binding as you normally would, at the width that you prefer, whether you use bias binding or straight grain binding. The binding needs to be at least 12-18 inches longer than the perimeter of the quilt top.
Tip: use a bit of spray starch, applying the starch to the wrong side of the binding as you press it in half, it acts like a glue that keeps the two sides of the binding firmly together and prevents the sides from shifting or separating during the application process.
Now you need to choose whether you will complete the entire binding on the frame or whether you will leave the last 10 or so inches to complete on your domestic machine.
  • complete the entire binding on the frame
    • open one end of the binding and cut on a 45 degree angle
    • press in a quarter inch fold on the end you just cut
    • press the binding back in half
    • Open binding and cut at a 45 degree angle
    • press in 1/4 inch fold
    • re-press in half
    • complete the binding on the domestic
      • no special prep required

    Applying binding after all quilting is complete.

    Quilt as you normally would, but do not remove the quilt from the frame. Be sure to baste the bottom edge of the quilt and remove from the leader if you had it attached.

    You will start on the right side about 10 inches up from the bottom corner (or as much as your throat space allows). Leave a 6-8 inch tail loose. If you are finishing completely on the frame start with the end you cut at an angle. Place the binding so that the raw edge of the binding lines up with the raw edge of the quilt. There are a few methods you can choose from:

    Using a Ruler

    • I like to use a ruler with tabs like the HQ Ditch Ruler or the HQ Mini Scallop ruler. The straight side of the HQ Versa Tool ruler works as well, although it is shorter than the other two. This holds the binding in place as you sew along the ruler edge.
      • Align the ruler at the raw edge of the quilt.  Place HQ Square foot against the ruler.
      • Make a few locking stitches and stitch ¼ inch away from the edge of the quilt along the ruler.
      • When you come to the lower right corner, position the ruler so that the inside of the tab is at the raw edge on the bottom of the quilt. Stop stitching ¼ inch from the bottom edge, or when the foot touches the ruler tab. Do a few locking stitches.
      • Do The Fold
      • – fold the binding to the right at a 90 degree angle to the right side of the quilt, aligning the raw edge of the binding with the bottom edge of the quilt. Finger press the mitered fold. Then fold the binding back on it self to the left, with the fold lined up with the right edge of the quilt. Align the raw edge of the binding with the raw edge of the bottom of the quilt.
      • Position your needle just off the fold, ¼ inch away from the bottom edge of the quilt. Make a few locking stitches and continue to stitch across the bottom of the quilt. When you come to ¼ inch from the left side of the quilt, tie off with locking stitches and repeat the fold. These photos show “Doing the Fold” at the bottom left corner and the top left corner of the quilt.
      • Ruler in place at the lower left edge. Note the placement of the tab.

         

        First fold at lower left corner

         

        Second fold at lower left corner

         

        Positioning foot

         

        Staring to stitch up left side

         

        First fold at top left corner

         

        Second fold at top left corner

         

      • Proceed in this manor stitching up the left side and across the top and down the right side. As you stitch up (or down) the sides, when you need to roll, leave the needle down in the quilt and very carefully and slowly roll the quilt. That way you can stitch a continuous seam.
      • As you stitch down the right side of the quilt, stop your stitching line approx 10 inches away from where you began, leaving the ends of the binding to be finished.
      • Remove the quilt from the frame and finish the binding on your domestic machine, attaching the ends of the binding with your favorite method.
      • Trim away excess backing and batting and the binding is now ready to be turned to the back side and stitched down either by hand or by machine, whatever is your preference.
    • If you prefer to finish the entire binding on the frame:
      • when you come close to where you started on the right side, smooth the beginning binding strip up in place and cut the ending binding about 1 inch past the miter on the beginning strip.
      • Tuck the raw end inside the mitered beginning strip. Then complete the stitching. The turned under edge on the binding will have to be hand stitched to keep the binding joined.
      • Now you can remove the quilt and trim the excess backing and batting. You are ready to turn the binding to the back and stitch.

    Free Motion

    • Just stitch down the binding keeping the edge of the hopping foot at the edge of the quilt. Be sure the binding stays smooth and be careful not to stretch the binding as you work. Hold the binding in place with one hand as you move your machine with the other hand. This is the best method for not-so-straight-or-square quilts where you will have to make adjustments and follow the edge of the quilt.

    Channel Lock

    • Channel lock really works well if the quilt is straight and square. Use the channel locks in place of the ruler. Once again, use one hand to hold binding in place and other hand to move the machine.

    I love to apply binding on the longarm! Wasn’t it easy?

    by Mary Beth Krapil

Creating Texture

Every time you quilt you are creating texture. The very nature of what makes up a quilt, three layers, with the center being a compressible fiber, means that when you stitch the three layers together you will compress that inner layer with your stitches and create texture. The location of the stitches will be lower than what surrounds them. The contrast, low to high, creates a variation on the surface of the quilt. That variation is the definition of texture. (See last week’s blog post to refresh your memory of that definition.)

Seeing texture

Sometimes you look at a quilt and swoon over the gorgeous texture of the quilting. With other quilts, you might hardly notice the quilting. Why? If you look at a variety of quilts, (Pinterest is a good place to do that), notice where you can really see the quilting and you’ll come to realize that quilting shows up best on solid, lighter color fabrics. This quilted bag has a ton of quilting on the black background surrounding the mandala. But you can hardly see it.

Mandala tote by Mary Beth Krapil

This quilt has a lot of texture too. It is hardly noticeable on the colorful, busy and darker fabrics. You can see a bit of the texture in the light blue areas. This quilt is 12″ x 12″.

Miniature by Mary Beth Krapil

But look at the texture you can see on the back of the quilt!

Back of Miniature by Mary Beth Krapil

Emphasizing texture

What can we do to emphasize the texture? Here’s some tips you can use:

Pick the right place

Choose the lighter, solid fabric areas of the quilt to create the most interesting textures. [Don’t neglect the other areas with busier, darker fabrics though! If you want your quilts to lie flat, you want an even distribution of texture.]

And always remember, in the right lighting, even texture on darker fabrics can be seen.

back of Mandala bag by Mary Beth Krapil

Emphasize the contrast

Remember the contrast, low to high, creates a variation on the surface of the quilt, creating texture. So if you stitch some tighter quilting next to an area you want to emphasize, the tighter quilting will flatten out and allow the area next to it to pouf forward.

Mary Beth Krapil

The daffodils pop forward because there is tighter (or smaller) quilting next to them.

We usually refer to the tight quilting as background quilting.

Rule of thumb: The background quilting motif must be at least 1/3 or less the size of the motif you are trying to emphasize.

Choose the right batting

When you are trying to achieve texture choose a batting with a higher loft. There has to be something to fill up the unquilted areas to make them pop forward.  Avoid very flat batts.

100% cotton is an example of a flat batting. Wool is an example of a batting with loft. You can also use a polyester batting, just choose one with a higher loft or thickness.

When I want to emphasize texture I usually use two batts. A layer of 100% cotton or 80/20 on the bottom and a layer of wool on top.

But this was a faux leather pouch that I quilted with upholstery foam instead of traditional batting. It had super-defined texture!

creating texture

Faux leather bag
by Mary Beth Krapil

Choose the right thread

Both weight and color are important here. Matching the thread color exactly to the fabric results in seeing pure texture. The thread disappears.

micro-fill sampler
by Mary Beth Krapil

A fine thread also tends to disappear and leave the viewer seeing only texture.

Mary Beth Krapil

There are no hard and fast rules about thread though. Just like anything else in quilting, experiment and see what happens when you change things up. A contrasting thread can add to the texture!

Grid Sampler
Mary Beth Krapil

You’ve heard the saying, “Quilting makes the quilt”?  Well I think that’s true because quilting makes the texture.

What do you think?

 

by Mary Beth Krapil

 

 

 

 

 

Texture

There’s a lot of talk on quilting social media these days about texture. Just try a search on #TextureTuesday and you’ll see what I mean. What is texture, anyway? Dictionary.com says this:

Texture was what drew me to quilting.

I have no quilters in my family. My mother taught me to sew at a young age. But the intention was garment construction. She made our clothes, (my sister and I), until we were old enough to make them ourselves.

We had no quilts in the house as I was growing up. (Sad, I know). My grandmother knitted and crocheted. We had afghans, from dictionary.com: afghan: a soft woolen blanket, crocheted or knitted, usually in a geometric pattern. They were scratchy to this little, allergic to wool, girl. I kind of hated them, but oh, what I would give to have one of them today. I had no appreciation of my Gramma’s artistry.

afghan, wikipedia

Every year at Christmastime, we would get a card from a woman that worked with my Dad. They were the most imaginative cards with moving parts and they were embossed. I was enchanted by them. The Christmas tree branches had needles and the little girl’s sweater had knitted stitches. They were the most beautiful things I had ever seen. The design elements of not only image and color, but texture. And I thought the lady who sent them must be some kind of princess artist with the best taste in things ever.

Later in life, I really can’t remember when, I saw a wholecloth quilt. The emotions and thoughts I had about those Christmas cards came flooding back. A practical item with gorgeous texture that you could enjoy every single day of the year and it wasn’t scratchy! I was in love!

Making quilts

When I started to make my own quilts, my greatest goal was to make a wholecloth. I started hand quilting my tops, I quilted two. However, that was taking way too long, so I tried machine quilting on my domestic machine. That was hard, and uncomfortable, and not very much fun. Then I discovered longarm machines. And when I bought my first Handi Quilter I knew my goal might be in reach, someday, after lots and lots of practice.

And that’s my story about how I ended up here, writing to you about quilting. Texture drew me in and never let go.

Here’s some quilt texture eye candy for you. Next week I’ll write more about how to achieve great texture on your quilts.

texture quilt

Kim Sandberg

 

Mary Beth Krapil

 

Debby Brown

 

Mary Beth Krapil

 

Telene Jeffrey

 

Mary Beth Krapil

 

Kelly Ashton

 

by Mary Beth Krapil

 

 

 

Round Robin Quilts

There’s a new display in the Handi Quilter Gallery. On the second floor at HQ HQ (Handi Quilter Headquarters) there is a gallery outside of the education studio. It features fabulous quilt displays that change throughout the year. Right now, we have a wonderful display of special group quilts, Round Robin quilts to be exact. And not just any Round Robins, but those created by our Quilt Your Desire Inspiration Squad members. As a way for them to stay connected and have a memento of their time at Handi Quilter, they participated in a Round Robin. You may have seen some of these folks in magazines or on social media.

The idea and project originated with Diana Evans. She wanted to have a “piece” of her fellow QYD squad members.

Round Robin Quilts

Round Robin quilts are medallion-style quilts pieced from the center out. Typically, the “owner” makes the center block. Then it is passed around to each person, one-by-one, who adds a border of their choosing and then passes it along to the next person. The owner does not see their quilt as it is in progress until the big reveal.

Successful group quilts are often more than the sum of their parts and this is evident in the quilts we have in the gallery. Each one is so different and spectacular. You can see the thoughtfulness and intention that went into each round.

The Gallery

Let’s take a look at the quilts. We’ll start with Diana’s, since she was the instigator.

Diana Evans

Gallery quilts

Diana Evans

Using scraps of a floral print for her center block, Diana was surprised, delighted and inspired by her finished quilt. She was completely taken aback by the use of the leopard print. It was unexpected and yet, she felt, the perfect direction.

Adam Rateliff

Adam Rateliff

Amy Domke

round robin quilt

Amy Domke

Angie Callbeck

Round Robin Quilt

Angela Callbeck

Angie used a piece of fabric that reminded her of her first glimpse of sun during her trip to Salt Lake City. She says her fellow squad members created the perfect quilt for her.

Here is the label that was sent to all the participants and signed by each person who added to the quilt. Each of the quilts has a label just like this one.

Kristina Whitney

Round Robin Quilt

Kristina Whitney

Marilyn Farquhar

Round Robin Quilt

Marilyn Farquhar

 

Round Robin Gains

Not only do you get a completed quilt top that is a treasured memento of your friends, you also get inspired. And you get a chance to stretch your skills. You work with colors outside of your comfort zone. Plus the satisfaction of knowing you put your best effort into your fellow robineer’s quilt. It’s a total win, win, win, win, win!

Give it a try!

Gather some of you best quilter friends and challenge yourselves. Be sure to have clear guidelines before you start. Diana gave her group very clear instructions and the results are fantastic. The rules included a timeline. So the participants knew when each round should be completed and sent along to the next person. She said, “the timeline quickly got trashed”. Diana also sent each participant a little journal, a fine-line black sharpie, and the printed label. The journal was such a genius idea! The owner explained the significance of the center. Then, that was used as inspiration for the subsequent rounds. And each round maker added stories of how they came up with the idea, or the fabric, or the challenges they experienced and how they overcame them. Love it! Every quilt tells a story and these journals are a record of the interesting story of these fun quilts.

If you have any hints on how to make projects like this work better, please let us know in the comments.

Thank you Quilt Your Desire Inspiration Squad for sharing your precious quilts! Not all of the Round Robin participants have quilted their quilts yet, but we know they will! We are looking forward to seeing more of these fabulous quilts.

by Mary Beth Krapil

 

 

2021-03-25T13:04:25-06:00March 26th, 2021|Categories: HQ Gallery, Inspiration, Quilt Stories|Tags: , , |2 Comments

Quilting a Vintage Quilt Top

In last week’s blog post I explained how I prepared a not-so-flat vintage quilt top for finishing. If you didn’t catch it, be sure to read it first. No worries, I’ll wait.

detail of vintage quilt top quilted

 

Basic plan

Now that I had a nice flat quilt top, I could start thinking about the quilting. I wanted to ignore the seam lines in an effort to hide all the added sashing. This would make the tulips come forward and float on the background.

I planned to stitch-in-the-ditch around each set of tulips and do minimal quilting within the tulips so that they would puff forward. To accomplish the puff, there had to be some tighter background quilting behind them. And using two layers of batting, 80/20 on the bottom and wool on top is essential.

Design ideas

Drawing design ideas on Quilter’s Preview Paper  over the quilt top with a dry erase marker is a good way to start letting the ideas become real.

preview paper over vintage quilt top

Creating designs

Using Pro-Stitcher Designer, my digitizing software, I created some designs that would go over the seams and hopefully distract from them.
I start the design process by tracing the major elements of the top on Golden Threads Quilting Paper. Then I can place a 2nd piece of Golden Threads paper over that and start sketching. If I don’t like what I have drawn, I discard the paper and take fresh piece on top. I still have my major elements underneath.


After I settle on the designs, I transfer them to my Pro-Stitcher Designer software to create the digital designs for my Pro-Stitcher robotic system on my HQ Infinity.

vintage quilt top digital design

This design will be available for purchase on Quiltable.com soon!

Quilting!

Next comes the fun of quilting and seeing the quilt top come to life. I employed a combination of Pro-Stitcher robotics, ruler-work and free-motion quilting.  I wonder what Mrs. Gibson and Ora Tyler would think of their quilt today?

detail of vintage quilt top quilted

Of course a quilt is not finished until there’s a label. I chose to use one of the spare blocks as the label. Turning the corner of the block back so that the penciled name and hand stitching is visible. I think that is such a charming aspect of this vintage top.

You can also see how the block does not lay flat.

I printed the list of names of all the contributors to the quilt, along with the quilter’s name (me) and date it was finished. Now I proudly consider myself part of this group of ladies. I have 13 new friends! And I wonder if I’m young enough to go by just Mary Beth? I know I’m not old enough to be known as Mrs. Krapil! Mary Beth Krapil will do I guess. 🙂

Have you ever quilted a vintage quilt top? Please share your experience in the comments. We’d love to see pictures!

 

by Mary Beth Krapil

 

 

Preparing a Vintage Quilt Top

I’d like to share with you my process of preparing a vintage quilt top for finishing. Each top is different and will require different things of course, but this one is my latest finish and it has an interesting story and was extra challenging.

Choosing the vintage quilt top

I loved the colors in this top the minute I saw it. And one of my favorite flowers is the tulip. Those things drew me to choose it. I did notice some fullness in the blocks, but since I have experience with quilting hand pieced vintage tops, I had confidence I could tame it. Oh boy,  was I wrong!

The Truth about vintage quilt tops

There is usually a reason these tops never get quilted. Any quilter will tell you that they have quilt tops waiting to be quilted. In modern times, it’s usually a matter of not enough hours in the day to get all our projects completed. The vintage tops that end up in estate sales or on auction sites usually have some issues that would have made quilting them difficult. Remember, most were hand quilted back in the day. This tulip quilt had some major issues. But I’m so glad I chose this one. I loved working with it and learned a few things along the way.

Preserve as much of the original as you can

I try to preserve these vintage tops as best I can. They are a piece of history. I think about the hours of work that went into the hand piecing. Just look at those pretty, even, hand stitches!

A few tucks or a stain here or there is OK, just part of the uniqueness of the piece. This quilt top was uber unique! It presented a challenge that was insurmountable without some major alterations.

After spending some time trimming frayed threads from the back, I took it to my ironing board to see how I could possibly get the top to lie a little flatter. Several hours later I came to the realization that it just was not going to happen. I had to make the difficult decision to take the quilt apart and separate the blocks.

A special group collaboration

Most of the blocks had a name written on the back in pencil (3 blocks had no name). These were not signatures, since they were all in the same handwriting. But I imagine they are a record of the maker of the block. This quilt was a collaborative group effort! Making it even more special and deserving of preservation.

Abbie

 

Kuhma

 

Laura Barton

 

Leona

 

Lizzie

 

Maude

 

Mrs. Gibson

 

Mrs. Spoor

 

Nellie Gray

 

Ora Tyler

 

Pearl

 

Stella

 

Velma

Who were these ladies?

The whole time I worked on this quilt I thought about what sort of group this might have been. Was it a quilting bee? A group who gathered around a quilting frame whenever a quilt needed quilting? Were they neighbors, friends, a church group, members of a guild? It led me to think about the groups I have had the privilege of being a part of. And the wonderful friendships I have made through quilting. I hoped these women enjoyed the same blessing I have had.

I also thought about why they might have decided to make a quilt together. Was it to comfort a sick friend? Celebrate a milestone? Donate to a worthy cause to raise money? I wondered if, back then, did they hold block exchanges? Was there many more of these quilts, one for each of the contributors? Did any of them get quilted?
I wish I knew more about these ladies.

I thought maybe they were a group with varying ages since some were just first names (younger), and some were full names, and some were surnames, Mrs. so-and-so, (older and more respected?) It was actually quite fun thinking about the possibilities. And now that I have finished the quilt, I think I am a member of the group too.

Back to work

But back to the job of preparing this top. I had to un-sew the blocks on this vintage quilt top to see if I could somehow stitch them together in a way that would let them lie flat.

My original idea was to add sashing to compensate for blocks that were not all the same size. That’s quite often a common problem with group quilts. But when I got them apart, it became apparent what the problem actually was.
The blocks were not square, or rectangular. They were an unusual shape with sort of pointy wings in each corner.

not square vintage quilt

Someone, (I wonder who?), painstakingly sewed these blocks together by hand. That was certainly a labor of love.

You can see the middles of each side are straight but then they bow outward to the pulled-out corners. I thought about adding melon shapes between the blocks but after measuring and discovering no two blocks measured the same, I gave up on that idea.

The fix

I trimmed the blocks to as square as possible without losing any of the tulip.


Because they were all different sizes I decided to add sashing to each block, to make them all the same size. I hunted for a muslin that matched the vintage muslin background.This process required a lot of accurate measuring and math.

I was hoping that the quilting would eventually hide the seams required to add the sashings, and that the tulips would simply be floating on the background.

Once the blocks were all brought to a uniform size, I sewed them back together into a quilt top. Here they are laid out ready to be sewn. I feel I preserved the look of the vintage quilt top and didn’t really alter it too much.

Sadly, I did have to eliminate four of the blocks. The piecing on those would not allow me to press them anywhere close to flat. Let me publicly apologize to those ladies whose blocks didn’t make it back into the quilt. I’m so sorry, I know you did your best.
One of those blocks did get used on the back for the label. I might just hand stitch the other three to the back of the quilt as well. Just so the group can stay together.

Now that I had a nice flat quilt top, I could start thinking about the quilting. Come back next week and I’ll share about creating the designs and quilting with my HQ Infinity.

This quilt will be featured in the May/June issue of Love of Quilting magazine.

 

by Mary Beth Krapil

 

National Quilting Month

March is National Quilting Month. It’s our favorite month of the year here at Handi Quilter.

national quilting month handi quilter

What are you going to do to celebrate? Here are TEN great ideas to help get you started.

Finish a UFO

If you have been a quilter for a while (a year? a month? a day!) you probably have a project (or 3) that isn’t quite finished and got put aside when you started something new. Maybe you ran into a problem that you couldn’t figure out how to solve. Or maybe you just lost interest. Perhaps you tried to finish before the new class you signed up for started, but you had to set it aside to concentrate on class. Whatever the reason, National Quilting Month can be your incentive to pull it out and get ‘er done.

Here are some of mine. Some. There isn’t enough room to show you all of them!

Plan a reward for finishing. Maybe a trip to the quilt shop, once the binding and label are on?

Start a new quilt

Nothing revs the quilting juices more than starting a new project. Pull out that pattern you bought and get busy picking fabrics for it.  Buy that fat quarter stack of luscious new fabrics and decide which quilt pattern will show them off the best.

Grab your sketch book to draw out the quilting design you’ve had in the back of your brain. Take the time to do what you love.

Organize your quilting space

American Patchwork and Quilting is hosting a fun 31 days to an organized sewing space challenge.

They give one task per day for each day in the month of March. This one-task-at-a-time approach seems very achievable. The challenge for me, when straightening up my studio, is resisting the urge to play with just about every item I touch.

I’m going to give this a try. Then I’ll let you know how it went. It’s not too late for you to try too! Just double up the tasks for a few days. Just think how great it will feel to play in a clean and organized studio. Wonder how long it will last? 🙂

 

Visit a Quilt Museum

You will be in awe, inspired and delighted by what you see at any and all of these places:

National Quilt Museum, Paducah, KY

International Quilt Study Center and Museum, Lincoln, NE

Rocky Mountain Quilt Museum, Golden, CO

Wisconsin Museum of Quilts and Fiber Arts, Cedarburg, WI

Texas Quilt Museum, La Grange, TX

This is by no measure a complete list. You may find one in your neck of the woods! Check out your local history museum. My little town has a wonderful history museum that has a few quilts on display.

Take a class

Handi Quilter in-store events are starting to happen again, all over the country! We have worked with healthcare experts and our retailers to devise a way to hold in-person longarm quilting classes in a safe manner. Some are hands-on classes!

 

We are also offering virtual classes. These are such a great opportunity to take a class from an expert Handi Quilter National educator from the comfort of your own home. Check out what is available here.

Share your skills

Offer to teach a friend a new quilting skill that you know, but she hasn’t tried yet.

Or spend a day teaching a child a simple sewing/quilting project.

This little girl is hooked for life!

Join a guild

It multiplies the fun of quilting when you can meet with like-minded people who share your love of fabric and thread and color and pattern. Although we can’t really meet in person for a little while longer, many guilds are meeting virtually these days. Sharing knowledge and quilts and tips and tricks only adds to the joy of quilting. Find a guild near you. You can ask at your local quilt shop for recommendations. If that doesn’t get you results, try this website. Your new quilting friends are waiting for you.

Make a community quilt

Many organizations offer opportunities for making quilts for those who need the comfort only a quilt can provide. Knowing you’re helping others multiplies the fun of making quilts. An example of one of those organizations is Quilts for Kids. Quilts for Kids is a nonprofit organization dedicated to transforming fabrics into patchwork quilts to comfort children facing serious illness, trauma, abuse, and natural disasters.

There are many more. Once again a good place to inquire is your local quilt shop or guild.

Join a social media group

Handi Quilter oversees 3 Facebook groups. The Handi Quilter group is for all machine owners and folks who are interested in Handi Quilter or longarm quilting. At almost 11,000 members there is plenty of friendly help for all your longarm questions. It’s also a great place to share what you are working on.

If you’re interested in attending Academy, (the premier annual education event held by Handi Quilter), you might want to join the HQ Academy group. Alumni and future attendees share experiences and fun in this group. The excitement grows as the date for Academy draws near!

Are you a Pro-Stitcher Designer user? There’s a group for that! Help in learning the design and digitizing program is right at your fingertips. Share your achievements and projects, ask questions, this group is just getting started so all questions are welcome.

Watch a quilting video

Handi Quilter offers a bunch of options for this! We have a YouTube channel dedicated to helping you learn to use your Handi Quilter machine. Don’t forget to subscribe and click the bell to be notified when a new video is available.

You can also catch a video once a month on the 2nd Thursday called HQ Live. We present on a variety of quilting related topics. You want to mark your calendar for HQ Live. 2nd Thursday, 11am Mountain time.

 

Or get a quick dose of quilty fun every Tuesday on our Facebook page with HQ Watch and Learn. The studio educators share tips, tricks and how-to’s. It’s quick and fun and you’re sure to learn something each week. Tuesday at high Noon Mountain time.

Don’t forget to do something extra-quilty on National Quilting Day! March 20, 2021.

by Mary Beth Krapil

Paper-pieced Valentine

Here’s a little Valentine treat for you, because we love you! A quick, last minute project for your favorite Valentine. It’s a paper-pieced Valentine heart that you can make into pillow, a tote bag. Or make several and make a small quilt or wall hanging, or just one for a mini. You’ll probably come up with some more ideas. Be sure to share in the comments!

Kim Sandberg, studio educator, created this cute design using Pro-Stitcher Designer. Pro-Stitcher Designer is a full-featured design software for creating paper or digital quilting motifs. It gives you the ability to quickly design, edit, or customize any quilting motif you can imagine. Besides all that, you can create paper-piecing designs as well!

Kim tells about it in this video:

Download the pattern here.

Then let us know how you used your paper-pieced Valentine.

You’re welcome!

Make a Stencil

I told you last week I would show you how to make a stencil from Golden Threads quilting paper. It’s easy and fun and results in a easy, follow-the-line, free-motion quilting guide that will make your quilts look fabulous!

Start with a design

You can take one of your fantastic doodles.

Or maybe something you found in a magazine or a book.

You might have seen a fabulous quilting design in nature,

or on some tile or carpet, or on a tissue box,

 

or on a plate.

Look at the fabrics in your quilt,

there might be a super cute design. Inspiration for quilting designs are truly everywhere! Be sure to have your camera ready to capture them.

Draw and trace

Draw on regular paper first. Keep in mind the size you will need for your quilt. Make adjustments until it is perfect. As you are drawing, think like a quilter and make the design continuous, to minimize stops and starts.

Once you are happy, trace your design onto Golden Threads Quilting Paper. BTW, all this drawing and tracing is great practice for when you actually quilt the design!

Make a stencil

Take your GT paper to your machine and pin it to a quilt sandwich.

Set your stitch regulation for a longer stitch. I set my HQ Infinity to 6 spi.

Take the thread out of your needle and stitch the design. The needle will punch holes in the paper and you now have a stencil to

mark your quilt

Position your stencil where you want the design. Using your pounce pad, swipe over the paper.

You have nice lines to follow as you quilt!

QUILT

Once you have quilted the design, the pounce powder will easily brush away.

Now you can create a stencil from any design you can dream up!

by Mary Beth Krapil

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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