It’s been a while since we checked in on Diane Harris and her adventures in longarm quilting on her HQ Capri. She’s getting nice and comfortable using her Capri now. With that relaxation about the mechanics, comes an opportunity to notice finer nuances about her quilting that give her ideas to make the task easier and faster, or fine tune her technique to make her designs sharper.
Let’s take a look at her recent blog post, Hugs and Kisses: What I Learned. (Kinda sounds like a dating advice blog? Haha! Just kidding! It’s about quilting, I promise.)
Her lessons:
1. Plan your route
So important! When free motion quilting we want to have as few stops and starts as possible. Not only will it save time, it also saves having to secure your thread tails. Be sure to go over to Diane’s blog and watch her video, it’s an excellent demonstration of how planning can help. Really, go watch it, click here. I’ll wait here.
She came up with a brilliant way to move through the block with her design. I have one tip. When she fills most of the block and she gets here:
She continues on to fill the bottom right corner, the way she did the two top corners, and then goes back to finish in the center, as she had been doing. If she had filled the bottom right of the blue 4 patch in the center, then did her two circles and then the bottom right corner, she would have finished at the outside corner, where she could move on to the next block.
Tip: Think globally
Think about how to travel through the block. But also think about how to travel from block to block continuously, as well.
2. Varied motifs are easier than matched motifs
Absolutely! If you choose a motif that has a regular repeat and uniform size, such as the finger like shapes Diane chose, you need to be confident about quilting them all the same.
A viewer’s eye can easily pick out the finger that’s not the same width or the same height as all the others. But if you vary them in some way, it’s much more forgiving and many times more interesting.
I’m a lover of symmetry though, so I practice a motif that needs to be uniform until I get really good at it. If you are too, it’s worth the effort. Often times you need a place for the eyes to rest and symmetrical designs, like cross hatch for example, create that place of rest.
Tip: Varied motifs fool the eye, but symmetry relaxes the eye.
3. Give yourself targets
Diane chose to quilt loops in her border. Great choice! It’s a classic design element and is fairly easy to quilt. Until you realize, that it is one of those designs that look best when they are uniform. That brings in a degree of difficulty. Diane came up with a shrewd way to help her make them more uniform. She gave herself targets, small tick marks made using a ruler for spacing.
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When I want evenly spaced, even sized design elements I use line or grid stencils. They are available from many companies and in many sizes and configurations, even circles. Some have angle lines to help align diagonal designs. I use my pounce pad or water soluble markers to mark my quilts. Always test whatever product you choose to make sure it will come out when you want it to. Diane could have saved time and increased accuracy by using a line stencil. One swipe of the pounce pad and you’re done! For loops like Diane was quilting it not only helps with spacing, it also helps you keep the loops standing up nice and straight. (Although Diane did a great job of that all on her own.)
Tip: Use the tools you have available to make the job easier.
Bonus tip: Buy the tools you need to make the job easier.
Diane’s well on her way to becoming the quilter she wants to be! It just all takes time. Remember to give yourself the time to play and learn. Diane has been doing that and it has paid off. Be easy on yourself with your beginnings and know that in time you will get to where you want to be.
Tip: Practice, practice, play
Ha! you thought that 3rd word would be practice didn’t you? Quilting is something we love to do. If it wasn’t you would not be reading this. So our practice time is really play. Have your own adventures in longarm quilting. Diane has really enjoyed her practice time. She has been quilting actual quilts and has been very lenient with herself. She only pulled out the seam ripper a few times. Diane says,
“Unless you’re entering your quilt in a judged show, those who view it will not criticize it and will likely think it’s beautiful. Out in the wide, wide world, there aren’t many people who can make a quilt, so others will admire the colors, the shapes and the sheer skill it took you to create such a wonder. ”
And I agree 100%.
We will continue to follow Diane’s adventures in longarm quilting. There were a couple lessons in Diane’s post I didn’t speak to yet. Stay tuned.